hlt

P.O. Box 691 Sebring Florida USA 33871 Tel: 863-382-2525

  Keith Stillwagon - Set Artist
By: Roy Riedy

Keith Stillwagon first appeared at Highlands Little Theatre in August, 1992, of the Eighteenth Season just in time to work on the Backdrop Art of Marian Dunham's revival of The Teahouse of the August Moon, a performance that commemorated HLT's tenth year of residency in The Lakeside Playhouse.

In April of 1993, Keith worked with Liz Buel, Barbara Holt, and Bob Given on the Set Art for Frank Oberhausen's reprise of Camelot. At the Eighth Annual Zenon Awards Ceremony in October, Keith was nominated for a Production/Technical Zenon for his artistic achievement with Camelot.

In November, 1993 he worked on the Set Art of the first play of the Nineteenth Season, Nunsense II, The second coming . . . , and in April he joined his artist friends from Camelot to work on the Set Art of Frank Oberhausen's revival of South Pacific. At the Ninth Annual Zenon Awards Ceremony in October of that year Keith shared a Best Set Design Zenon for South Pacific with Mike Fuller, Frank Oberhausen, and Larry Wollangk.

Keith's last work at HLT was on the Set Art of Frank Oberhausen's 1776 in March, 1995, when he once again joined his fellow artists, Liz Buell, Barbara Holt, andBob Given in creating another Zenon nominated Best Set at the Tenth Annual Zenon Awards Ceremony in October, 1995.

During his association with Highlands Little Theatre, Mr. Stillwagon worked on five plays and received a Zenon for his art work and a nomination for two others at three Zenon Ceremonies. His name appeared in three HLT Newsletters and two local news articles for a total of thirteen citations.


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